Showing posts with label Sarah and Amy Vowell. Show all posts
Showing posts with label Sarah and Amy Vowell. Show all posts

Sunday, May 31, 2009

Post 3 - Podcasts

Amy and Sarah Vowell are two very distinct people even though they are twins. They share something besides their mother, and that is their frustration, rage, independence and sense of adventure. Then thereҀs Anthony, the troubled and yet highly expressive teenager. I noticed, while trying to compare the two podcast segments, that although one group is considered more ӀeducatedԀ (the Vowells) and one is more ӀtroubledԀ (Anthony) that both live frustrating lives because of an unsettled identity.

For instance, at the outset, the Vowell sisters say how they donҀt look like twins because one looks Native and the other looks European. But they sound the same. Identity here is portrayed as looks, but through a podcast, the identity is portrayed through voice - which is one and the same. Their Trail of Tears pathway is visual for them, but is audio for the listener. This cancels out identity based on looks which is really great because it emphasizes that looks don't matter, it's voice. Automatically, the listener is submerged into their world temporarily. Sarah sets it up very nicely for us. I couldnҀt tell the difference between the two sisters when they were speaking and this added to the continuity of their observations and comments along the Trail of Tears. Their discovery of identity becomes our discovery of their identity too because it was based on their perspective and opinions rather than our guesses of identity which would initially be based on phenotype.

Both women are able to interact with an amazing grace thatҀs articulate and effortless even though they are on journey of discovery which takes a lot of effort. While Sarah and Amy try to retrace their trek to Tahlequah they become enraged at RossҀs Landing and want to quit while they can. Surprisingly their most effortless stop and discovery becomes their most difficult one to swallow.

Then thereҀs Anthony, in the other podcast we listened to. He has difficulties, just like the Vowell twins, but in a different context. He, like the girls, wants to quit while heҀs ahead. For Anthony itҀs because he canҀt find the classroom heҀs suppose to be in for his skills class. For the girls itҀs because they canҀt believe what has happened to their people. In a way these are both the same manifestations of the complexities of identity. They both want to continue but also want to quit. ItҀs interesting how they both have a very difficult time in order to catch up or move on and get ahead, the girls want to move and Anthony wants to sit still.

Why is such a rich and powerful idea of being Native American, or more specifically Cherokee, still so painful and frustrating for these younger people?

Tuesday, May 26, 2009

Post 2- Tori Amos

I'm a fan of Tori Amos. In fact, I know "Home on the Range" quite well. I havenҀt listened to the song in a while and it was nice to revisit it because I heard and thought differently about it this time around. Basically, thereҀs the contrast in the lyrics between the sad commemoration of the ӀTrail of TearsԀ with the skies never being cloudy - And the skies are not cloudy all day. To me sadness is usually heightened by rainy and miserably cloudy skies. In this song it seems that Amos is providing a glimpse of hope through her interpretation of the song. She shows how the Cherokee were forced to travel closer to the range, but through their plight there were still unclouded skies up above. The Cherokee bride lives on under unclouded skies, now that there home is far from their point of origin.

Amos weaves in her own version of what the Cherokee perspective of such a celebrated and American historical song could be. She takes something that has been masked as happy and beneficial and reveals a realistic and more honest version of what Home on the Range can really mean to Americans. AmosҀs sarcasm is similar to that of Sarah VowellҀs. What I remember the most from the podcast as it relates to this paradoxical version of AmosҀs is when Sarah and Amy are in Georgia still, at the beginning of their trip. They pull over to a Mexican man selling Indian items. The man says that the Georgians love Indians. Then Sarah puts it to him and says something along the lines of ӀYou mean the Indians they kicked out of Georgia?Ԁ This is similar to Tori AmosҀs paradoxical and truly creative voice. Sarah has found her voice and so has Tori Amos in regards to the oftentimes contradicting and American story and perspective.